The flagship art paragon floats in front of the luxury in other places

All of a sudden, we ran to a luxury century.

The Ermenegildo Zegna flagship store on the Bund 18 finale opened; Miuccia Prada put the classic dress exhibition in the Peace Hotel; the maglev train used the fastest speed on land to transmit Chanel's cold fairyland; Gucci was in Shanghai Exhibition Center, after the fall and winter fashion show was Funky. Party... This is just one place in Shanghai. It is a few points drawn freely in this year of 2005. In Hong Kong, Dior held a fall/winter catwalk show at the old Lane Crawford Mansion that has already been constructed on the site. In Taipei, Louis Vuitton found the autumn and winter fashion of the Taiwan Museum of History performing the black theme. In Beijing, there was Cartier's Fine Jewelry Show in the Guanyue Temple. Dunhill also converted this classic into a garage-style show field...

At the close of the year, Louis Vuitton opened two flagship stores in succession in Beijing World Trade Center and Hong Kong Landmark. The opening of Hall 1 of the China International Exhibition Center in a Beijing store completely turned into an alien space under Louis Vuitton's shiny name.

In the past year, no one will describe the luxury and fashion scene with the "most in history" attribute. Even if it is every pen, it will take the opening party of the flagship store of LouisVuitton which is the head of the year. It is also not easy to make any assertions - although it compares the last year's 150th anniversary of the Hong Kong Tamar "Box Party" and the flagship of Shanghai Hang Lung Plaza. At the shop's opening party, the Beijing party on November 18 was no less inferior to the luxury of pavilions, the weight of guest status, the sheer number of guests, and the freshness of party ideas.

However, rest assured that this hesitation is by no means "aesthetic fatigue," and it is precisely that the relationship between the top luxury goods and our lives has become increasingly close, and those amazing expressions have turned to full enjoyment of this atmosphere. The so-called luxury is the constant pursuit of better and endlessly better. The product is so, the brand is so, the opening ceremony and the party is also like, luxury fashion chronology will always have better next time --- though, how Again and again it is not burdensome: This time, it is really good enough!

Flagship Store Art Model

Every Louis Vuitton flagship store in the world will be a architectural design space for people to watch and admire, a model that blends traditional spirit, luxurious style and modern art sense. Beijing Guomao new store area of ​​787 square meters, two-story space through the design of the rotation, the central axis of the store as a central axis, extending out of a number of independent ideas connected to the corner. This is the concept deduction of the recent Louis Vuitton flagship store on the Champs Elysées in Paris. The Monogram flower pattern fits the Chinese feeling and is the center of gravity design element. From the double-glazed curtain wall outside the store to the large metal mesh in the central location of the store, the idea of ​​repeating patterns comes from the ancient Chinese bronze coins and the architectural art of the Forbidden City.

Social faces are familiar faces

1500 bottles of Veuve Champagne, 15,000 snacks, French foie gras, Beijing duck, 5 giant LED screens, 2500 bamboo baskets... 1500 LVMH group leaders, Zhang Yimou, Liu Xiang, Xu Jinglei, Zhao Wei, etc. 1,500 celebrity guests, in this 2000 square At the rice party scene, a grand gathering of fashion and luxury was one of the most important events of the year.

There is a need to pay tribute to party planners, because everyone can feel the depth of Chinese and Western cultures in the night. From the ribbon-cutting ceremony of the new China World Trade Center to the China International Exhibition Center, the 40-meter channel built by Louis Vuitton antique suitcases comes to this imaginative space. Five giant LED screens are constantly showing the fragments of the brand's tradition and Beijing's urban appearance. Two sets of white canopy continue to project the ever-changing brand image. The 2,500 bamboo structure has repeatedly emphasized the integration of Chinese culture.