The copper incense burner is an essential tool for the "fragrant road" and an indispensable aid for the Chinese folk customs, religions, and ritual activities. The incense burners used in the past generations include different types of incense burners such as Boshan stoves, hand ovens, incense buckets, stoves, incense sticks, etc., as well as smoked balls, incense sticks, incense sticks, incense boxes, fragrant clips, shovel, incense spoons, incense sticks and The auxiliary materials such as sachets mainly include copper, ceramics, gold and silver, bamboo and wood, enamel and jade. There are also a variety of uses, or smocking, or furnishings, or worshipping Buddha. The shape is usually square or round, the square copper incense burner generally has four feet; the round incense burner sculpture has three feet, one foot is in front and the two feet are placed behind. R/N Ponte De Roma Fabric,Roma Knitted Fabric,Ponte Roma Fabric,Ponte Roma Knitted Fabric Jiangyin Xiangxu Textile Co., Ltd. , https://www.fabricxiangxu.com
The copper incense burner sculpture is a incense burner made of copper and is a traditional handicraft with a long history. Although the copper incense burners have the same texture, the craftsmen of different ages have made them into various forms. There are also a variety of copper incense burners, such as a scented copper incense burner, or a copper incense burner, or a bronze incense burner. The most well-known copper incense burner is the Xuande furnace made by the Ming Dynasty.
Xuande furnace sculpture is a copper incense burner that Ming Xuanzong Zhu Zhanji participated in the design and supervision of Da Ming Xuande for three years, referred to as “Xuan Furnaceâ€. It is the first time in Chinese history that bronzes were cast from wind-polished copper. In order to produce a fine copper furnace, under the personal supervision of Zhu Zhanji, the entire production process, including copper smelting and styling, must be from the "Xuanhe Bogutu", "archaeological map" and other hundreds of books hidden in the internal government. In the Yuanming kiln, select the shape that suits the applicable object and the system, draw it into a pattern, and then present it to the user, and explain the source of the picture and the source of the allusion. After screening, it is then cast. The physical sample is allowed to pass through and the casting is allowed to be finished.
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