Since the human beings, beauty has been recognized, and only with people, beauty has life, it makes sense, and jewellery carries the human pursuit of beauty from beginning to end, deducting the legend of beauty, and gradually forming A unique culture - jewelry culture. Pyjama Set,Fashion Knit Pajama,Knitted Fabric Production Australia,Womens Pyjama Sets YANGZHOU XIANGYU GARMENT CO.,LTD , https://www.yzxygarment.com
Any kind of culture is related to the times, and it will surely be branded with the times. Jewelry culture is no exception. With the emergence of various cultural trends and the change of the mainstream consciousness of the society, the aesthetic standards and fashion orientation of jewelry are constantly changing, and the jewelry culture presents a colorful scene.
China's jewelry culture has a long history and can be traced back to prehistoric times. The original man's stone-polished necklace, the animal's horns and animal teeth decorated on animal skin clothes are the origin of modern jewellery and the origin of jewellery culture. When it comes to Chinese jewelry culture, we have to talk about jade culture. Jade culture originated in the Neolithic Age. The various jade jewelry and jade articles made during this period constitute a very splendid jewelry culture in ancient China, and it continues to this day. The ancients believed that jade was the beauty of stone, regarded jade as a symbol of nobleness and power, and even used jade to describe noble character and virtue. In ancient China, the importance of jade is important. With jade, there is no substance comparable to it. From the major ceremonies of the country to the lives of the people, it is almost inseparable from jade. At the time of China's Shang and Zhou Dynasties, jade was the ritual of the emperor's ceremonial sacrifice. There are many famous jade in ancient times. The most famous ones are the "Hes's" of the Chu State. The value of the city is the same as that of the city. The story of "Welling to Zhao" and "Heshi" is also a classic reading of ancient Chinese in middle school. The development and changes of jade culture condense the glory, romance and compassion of Chinese history. In the Bronze Age, people began to make gold and silver jewelry, and began to decorate and beautify life with gold and silver jewelry. The differentiation of ranks and the emergence of classes make it gradually become a symbol of power and a symbol of sacredness. Jade culture and gold and silver jewelry culture basically dominate China's jewelry culture.
China's jewellery culture is rich and varied. Different nationalities and different religious beliefs have different characteristics. It is like the blossoming and blooming flowers in the spring.
There are many ethnic minorities in China, and the Miao nationality is one of the oldest ethnic minorities in China, and its jewelry culture is rich and colorful. The Miao nationality has a long history, and many people who love art. As early as the Qin and Han dynasties, they recorded the wax and silverware of the dyeing cloth in the Miao nationality. The silver ornaments of Miao's house are made of pure silver. It is a long-established handicraft product with very fine workmanship. It is a symbol of Miao's wealth and a concentrated expression of beauty. Each of the Miao women wears two silver collars, in which the collar of the four-sided protrusion symbolizes the tangled tree of the vine, weighing one or two catties. It is a token sent by the lover, a symbol of the love of the Miao youth, and some girls are at the front of the blackhead. Wearing a "silver hat", also known as "hanging", like the Han nationality's phoenix crown, is said to be worn only by the housewife in the Solitaire ceremony. The crown is embellished with silver butterflies, silver geese, silver phoenix, silver dragon, silver fish and silver ling. The wind blew and sizzle. All women's chest clothes are adorned with silver brooch, hanging chest chain and skirt chain. The silver chain around the waist is decorated with butterflies. The individual girl’s shoulder has an embroidered Xia shawl. The front and back of the chest are also hung with large silver drapes. The shape is “peony rich†and “fishing lotusâ€... Beautiful. The reason and origin of the examination of Miao jewelry, there are many beautiful legends circulating in the Miao area. In the "Li Sao", "Yu Yu Pei's land is separated", "Pei Yun has turned around and turned", and so on, has made the Miao jewelry and Chu culture have a deep relationship. Two painted hibiscus unearthed in the Chu Tombs of Wuchang, Jiangling, Wuling, dressed in painted costumes, facial color powder, symmetrical sets of various decorations on the chest to the neck, is the organic of all kinds of accessories. Combination and display. On the whole, all kinds of ornaments are suitable for drawing, both regular and rich, and the decorative effect is similar to that of the Miao.
For thousands of years, the unique living environment of the Mongolian people, the nomadic economy of “migrating by water and grass†has created the Mongolian people’s vigorous and strong national temperament and unique grassland culture. As an integral part of the Mongolian history and culture, Mongolian jewelry is also rich and colorful. Mongolian jewelry can be divided into five categories: headwear, accessories, chest, waist, and jewelry. Mongolian jewelry has a wide range of raw materials, such as coral, agate, jade, pearl, amber, gold and silver. Jade, silk cloth, etc. In particular, corals and silver are widely used, and they occupy a very important position in Mongolian jewelry materials. Although the shapes of Mongolian jewelry in various places are varied and unique, red coral and silver are often essential raw materials. Even in the Mongolian daily necessities, such as knives, bowls, cups, plates, pots, and cans, traces of the two can be seen everywhere. This distinctiveness is extremely rare among other ethnic groups in China. The reason why the Mongolians cherish the bright red and smooth corals is that, besides the Mongolian people are still red, and the red color is noble and auspicious, it is said that the coral is the sea, it may be for people living in the coastal area. It is not unusual to be commonplace, but it is very difficult for people who are far away from the sea and live on the grasslands. The law of “things are rare and expensive†and the psychology of showing off the rich and noble, drove the Mongolians to hang the hard-to-get, precious corals on their heads, under their ears, embedded in bracelets and rings, and gradually became A national habit and characteristics.
There are many ethnic minorities in China who use jewelry to ward off evil. There are basically two distinct concepts and ways to ward off evil with jewellery. One is extremely submissive. It uses a god of infinite admiration to ward off evil and drive ghosts. This can be said to be a relatively passive mentality. Another form of jeweling to avoid evil has a strong spirit of resistance and resistance, expressed in a proactive attitude. Different ethnic minorities have different customs and customs for jewellery. For example, the Hani people use silver coins, colored threads, and insect carapace to avoid evil. The Yao and the Miao people use the sharp silver ornaments to avoid evil; the mountaines use sea shells and animal teeth. Waiting for evil; the Yi people use the black rattan circle to avoid evil, and so on. In a country with a vast territory and a large ethnic group, the jewellery that evades evil is not only the use of expensive gold and silver jewellery, but also many of them are composed of seemingly inconspicuous materials. This is also the performance of multi-ethnic culture in China. A special reflection on jewelry.
In the long history of religious history in our country, Buddhism has occupied a long time of dominance. Undoubtedly, Buddhism has a profound influence on jewelry culture. During the Qianlong period of the Qing Dynasty, there was a book called "The Image of the Measurement", which stipulated various standard ratios of Buddha statues. The book says: Eight kinds of treasures on the Buddha statue: "One treasure crown, that is, grave crown, two earrings, three rings, four big dragonflies, five handcuffs and bracelets, six anklets, seven pearls, eight treasures also These eight kinds of treasures are called "big ornaments", and "small ornaments", that is, the ornaments on the earlobe, the treasure belts hanging from the left and right sides of the crown, and the broken bells around the anklets. It can be seen that all the jewelry in the secular society can be attached to the Buddha statue. In the underground palace of the Famen Temple in Shaanxi, which was dedicated to the Buddha’s relic, there were 6 pieces of “golden three-diamond silver plaqueâ€, 2 pieces of “white jade ring†and 1 piece of “mother-to-gold jewelleryâ€. These beautifully crafted jewellery are important ornaments of the royal statues of the Tang Dynasty and are the "treasures" of the Buddha statues. The Buddha statues reflect the fashion of the secular society, and in turn affect the decoration of the secular society.
Foreign jewelry culture began in ancient Egypt. Ancient Egyptians used gold and gems near the Red Sea to make some practical small ornaments, such as enamel needles for clothes, bracelets, belts and headwear with gold and silver inlaid jade. Ornaments made of red chalcedony, emerald, turquoise and green gold. The ancient Greeks first inherited the metalworking techniques of the ancient Egyptians used to sculpt jewellery, such as the snake-shaped bracelet worn by women's hands and the earrings embedded in the ears with colored gemstones. The ancient Romans used their ingenuity to add a lot of new taste to the processing gold pieces, and the jewelry was also seen as more refined. Jewelry jewellery is very common, and even gold and silver belts are sometimes inlaid with colored gems. Gold rings with precious gems are often used by the dignitaries of the ancient Roman Empire as a sign of their wealth. In order to show authority, the churches of the Middle Ages in Europe desperately occupied gold and precious stones to make gold jewelry with inlaid treasures. In the 17th century, “Western Gems†– diamonds poured into Europe from India and Brazil, and the diamond ornaments in this period were slim and elegant. In the 18th century, jewellery revived the ancient Roman style, with simple lines and embossed gemstones. The industrial revolution of the 19th century emerged, and the new style brought the romantic style of jewelry to its popularity. By the end of the 19th century, the style of Art Nouveau had arisen, and the overall style of jewelry was new and beautiful.
Hollywood's role in guiding European jewelry fashion and fashion is indelible. Hollywood has focused on fashion and jewellery. There are many jewels in many Hollywood films, and the beautiful heroine, the beautiful diamond ornaments, has attracted countless fans. Moreover, in many private parties or informal occasions, Hollywood stars are always showing off a lot of jewelry to people: such as charming bracelets, mysterious brooch. At that time, Ruther’s sheet metal jewelry was very popular; Joan Bennet’s daughter, Xie Liwang, bought a Ruther’s brooch from a jewelry store with a small happy angel called "Santa's Child"; Lorley Young has a Baroque swan-shaped pearl; Joan Crawford has several fine pieces, and she particularly likes curly-shaped jewelry.
In the information age, all areas of human life are subject to technical constraints. Living in the forest of reinforced concrete, the relationship between people is getting weaker and weaker, people are eager to understand, eager to communicate, eager to break through, and eager for truth. People are constantly pursuing their own personality, pursuing avant-garde, pursuing a new wave of progress, and still cherish the tradition. In fact, any "tradition" is gradually evolved from the "new wave", from cutting-edge avant-garde to trendy fashion, from trendy fashion to normative authenticity, from normative authenticity to classic tradition, for any ever-changing trend in this evolutionary law. Explore the trajectory of its toughness, occurrence and development. All of this will be deeply reflected in the jewelry culture. The jewelry culture of the future will develop in the direction of diversification, individualization and fashion art. Advocating nature, advocating tradition, integrating art and fashion, culture and function, and displaying the style of jewelry culture.
Jewelry culture has existed for thousands of years as a complete culture, and its beauty has been trained to be extremely splendid. Among them, the art of living and the art of living are blended. A piece of jewelry does not mean a special profession or craft, but rather an elf that has turned the whole life into life, and it is a kind of art and a culture that shines through the social atmosphere and humanistic tendencies.